The new beta version has these changes: Revamped Modmatrix in a big way, it’s now similar to Reasons Thor. Great care has been audjoo helix to ensure that old patches are still loadable. Feb 25, – 13 min – Uploaded audjoo helix Marisueksufor eightbitpimp Testing p XviD screencapture damn it the visual delay drift and showing. Added support for sustainpedal, modulation wheel and channel pressure.
Oldies but Goodies: Audjoo’s Helix
Oldies but Goodies: Read here why it is an instrument still worth your attention. By Rob Mitchell, Mar. Over the years, Helix has been updated in various ways. In , a Rompler oscillator was added, while later that same year they released an AU Audio Unit version.
For , Audjoo added better support for bit hosts, separate bit and bit versions for Windows, some more fixes, and an improved demo version. When I read about some details of Helix, it seemed to have lots of possibilities, and I just knew I had to check it out.
After hearing some audio examples made with it, that was it for me. This synth plugin really sounded great, and so I set out to cover it for this review. It includes five different oscillator types, three filters with seventeen filter types , a monster matrix section, an arpeggiator, and many effects. The system requirements for Helix are easy to take. The installation was easy. After opening the self-extracting file, it creates a folder with nearly all the files needed.
Oscillators Helix includes four oscillators, and they are separated by two different tabs. To enable an oscillator, you click on a small button in the upper-left area of that particular oscillator. This lets you set its routing to one of six different stages. Each one is either a filter or shaper.
I will get into more detail on those later. There are five different oscillator types to choose from: Wave, Noise, Analog, String, and Rompler. Some of the controls change depending on which oscillator type you choose. This lets you assign a keyboard range to that oscillator. You could set up each of the four oscillators to only play in a certain range of keys. The Unstable control has adjustments which let you add an amount of instability to the pitch of the oscillator.
One other useful control is the main slider bar in the middle of the screen. If you click on something you want to adjust, you can then use that slider to change its value. Some of the controls in Helix are easier to adjust than others, but I quickly got into the habit of using the larger slider to make most of my adjustments.
Also in this area are Spread, Phase, Width and Free controls. The Spread control will slightly detune each voice, and works well for fattening up the sound. The Phase control will adjust the starting phase for each voice, and changing the Width will affect the stereo placement of the voices. In the Waveshaping section, you are able to load in one of the many included waveforms, and change its sound to your liking.
It is a bit like sculpting audio, and you shape and mold the sound the way you want. After you load a waveform, or use the init preset with its saw wave there will be two versions of that waveform that you just loaded A and B. Each of them can be manipulated with the large number of controls. Some of these include Mirror, Warp, and Bit, just to name a few. These let you play with the shape of the waveform itself, and will affect the frequencies you hear.
When you switch to the String oscillator type, it will emulate the sound of two strings vibrating. The controls that appear after selecting this oscillator type include Frequency Spread detuning , Low Pass, Damp muting amount , Morph pick position , and Cross Talk one string gets some vibration from the other. The String oscillator sounds great, and has a nicely modelled sound. The Noise, Analog and Rompler oscillator types are much simpler to use.
With the Noise type, there is just one button you use to select either mono or stereo noise. The Analog type is really a square wave, and you can adjust its pulse width. The Rompler oscillator type lets you load in. The Stages section itself is made up three filters and three shaper modules.
This is a powerful section in Helix, it being semi-modular. In its simplest form, you have each filter and shaper enabled with one right after the other. For example, if it is set for the signal to go from A to B, then to C, and then to D and so on , it is in a basic series mode. You could also set it up in a parallel mode, with A and B plus C and D in parallel, and then going on to be mixed and finally getting to E, and then F.
The filter settings have all kinds of options available. They have the famous Ladder filter type as well, and it has up to four poles to adjust the slope. Besides the regular filter types, they have options added to let you switch the filter stage to some alternate modes. These include a limiter, EQ, delay, string, and an oscillator mode. It is located just to the right of the Stages tab. This is also where you can get to some Global settings. They can be dragged and dropped in whichever order you want.
Some of the Global settings are the Master volume, Glide settings, and Polyphony mode. One of the choices of the Polyphony mode is an Arp setting, which includes 14 different playback modes many use arp-script text files , and it can be synced to the host time. There are a total of eight of them, and EG1 is hardwired to the amplitude. You can still map EG1 to other targets in the matrix, just like you can with the seven other envelopes.
The visual feedback definitely makes it easier to design presets. The levels of the envelopes are bipolar, and each stage of the envelope has a shape setting.
In addition to the usual ADSR controls, there is one other control called R2, and it is for adjusting the secondary release time. You have your choice of Linear, Smooth, Exponential, and Late settings for all of the curves. Along the right side of each envelope are slider controls for Attack, Decay, and Level Velocity Sensitivity. They each have eighteen shape settings, which include many standard waveforms such as Sine, Triangle, Square, Saw.
In addition, you can set them as free running, and you are able to sync to the host tempo. There are two sixteen-stage Sequencers available, and the slider controls for each stage are bipolar.
They can be synced to the host, or you can dial in a speed using the Period control. There is nothing built-in to the Sequencer sections to assign actual notes or other values for modulation. This is all done inside the modulation matrix. You can also adjust how many steps are used by setting the start and end loop values. After clicking on it, it opens up the page for the Matrix. It has 36 rows available, each with a source and destination Dest1 , as well as a second destination Dest2 and a Scale field.
A source can be something such as an envelope, or an LFO. A destination might be something like the oscillator pitch, or filter cutoff. In-between the source and destination is an amount slider. It lets you adjust how much the destination is affected by the source. It can have a positive or negative value. For the second destination, you could select another target that you want to have affected by the source.
Scale lets you control how much a target is affected by some other setting or control. For instance, you might want to use the modulation wheel so it will slowly turn up the amount of modulation you have setup.
Setting the Scale to highest setting will make it so there is no modulation until you start to move the mod wheel. The amount continues to increase as you move it. Conclusion The manual could use a bit of an update. Another thing on my wish-list is for the Sequencer to be easier to use, and maybe have a couple functions added. The features that I really like in Helix are the many types of oscillators available, the semi-modular stage section, low CPU usage, and of course; its price is tough to beat.
It has a great quality to its sound, and a large sonic range. They really sound excellent, and they showcase the many ways Helix can be used.
Helix by Audjoo is a Virtual Instrument Audio Plugin. Helix is a Wave-Table-Shaping, Phase modulation, Virtual Analog, Physical Modelling Hybrid Synthesizer with high sound quality, massive modulation, creative audio-routing and many built-in effects. + Presets from BigTone and. Loaded up Audjoo Helix after several years and wow. This synth still sounds, in my opinion, outstanding!* I recommend giving it a listen if you.
VIDEO: Audjoo Helix
The Helix synth, released by by Audjoo in , is an Oldie-But-Goodie synth plugin with huge sonic possibilities. Read here why it is an instrument still worth. Audjoo Helix. Helix is a Wave-Table-Shaping, Phase modulation, Virtual Analog, Physical Modelling Hybrid Synthesizer. Unusually high sound quality, massive.