Forgoing the meticulous selecting and masking often required for local adjustments, in DxO PhotoLab 1. U Point Technology incorporated in the Control Point analyzes luminosity, contrast, and color, and applies your correction to the pixels with those characteristics in the area you targeted. Control Point is located at the top wedge. Sliders dxo photolab review over 10 image adjustments with raw images:
Evaluating DXO PhotoLab 2
PhotoLab is available in two versions, Essential and Elite. Both Mac and Windows versions are offered, but with a few minor differences in the two platforms.
I tested the PhotoLab Elite version 1. DxO purchased the technology from Nik’s owner, Google. DxO promises new versions of the original Nik software suite later this year, and PhotoLab gives us a feel for what’s coming.
You access the U Point technology of Control Points by selecting the top wedge of the radial menu of the Local Adjustments tab. By adjusting sliders, you have control over ten image adjustments of the masked area: To take advantage of the U Point technology, you select the new Local Adjustments tab in the toolbar of the Customize tab.
Right clicking in an area outside of the area on which you will be working opens a radial menu. Control points are found in the uppermost wedge of the circle. Clockwise, other new tools include auto mask, an eraser brush, new mask, reset, a masking brush, and graduated filter. The Equalizer is incorporated into the control point, auto mask, masking brush, and graduated filter tools. The coolest of the local adjustments is the Control Point option.
With the Control Point wedge active, you click somewhere in the area that you want to adjust. The software analyzes the image information under the click point and the Equalizer appears. Moving a slider up or down with your mouse pointer applies the adjustment to pixels similar to those under the selected area. It is astonishing how well this works and how it leaves other pixels in the circle unaffected. Clicking on a tone in the image that you want to adjust with a Control point opens a resizable circle and the ten options of the Equalizer.
While the mask you paint looks like it covers areas that you do not want to adjust, when you actually make the adjustments, only the area that was under the central dark of the brush are adjusted. The brush tool works in the traditional fashion and the eraser tool cleans up areas you over-painted with the brush tool.
While local adjustments are the big news, there are other new features in Photo Lab. The Brush tool now allows you to adjust flow and opacity as well as size and feathering.
And DxO rebuilt the Repair tool to deliver better and faster results. Final output after adjusting with Control points in PhotoLab. When you open a folder of images in PhotoLab, the software analyzes the EXIF metadata to determine the camera and lens you used.
This just takes a few seconds, but you can ignore it if you wish. The prescribed Module adjustments are automatically applied and you are on your way. PhotoLab also automatically applies DxO Smart Lighting, contrast, input RAW noise reduction, cropping based on straightening the horizon, and vignetting correction to your photos. These generally give you a great looking starting point for further adjustments, but often nothing further is even needed. While these are applied automatically, you can go to the Customize tab and the right panel displays the adjustments made and you can fine tune or change them completely.
You can also click the Compare tab in the tool bar to see before and after images. What We Liked The entire implementation of local adjustments in PhotoLab is outstanding, even in its first attempt here.
Without the need for layers and complex manual masking it is possible to make fine corrections over specific regions of the image. Control points were awesome in Nik software and DxO has made them more so with the addition of many more adjustment possibilities.
Auto mask worsk great for selecting areas in a portrait. While it may not look like what you want when you first see the mask, the adjustments go right where you want them. Plus you are making all of these local adjustments on RAW files that are re-editable at any point in the future. These local adjustments added to the global adjustments in one of the best RAW file conversion programs available make a winning combination.
Applying the same correction by clicking multiple areas of the sky creates a very uneven result. PhotoLab incorporates many of the familiar Adobe shortcut keys, but I really, really want to adjust the size of the brush and the repair tools with right and left bracket keys rather than a slider.
Also, as helpful as the radial menu is in selecting local adjustment tools, I would like to be able to reposition it once it is active.
How it Compares DxO PhotoLab is not a digital asset manager although the Organize module allows you to set tags and ratings. There is no ability to compose multiple images, create panoramas, or create HDR images. While all three give excellent results, the quality of the exports from PhotoLab and Capture One are visibly better than those from Lightroom. PhotoLab and Capture One allow you to export images with multiple recipes at the same time while Lightroom does not.
All three programs allow you to apply the same adjustments to multiple images, but PhotoLab is unique in making you choose the images first, and then make the adjustments. Choosing between DxO PhotoLab and Capture One, with its somewhat higher learning curve, and Lightroom will come down to which program better matches your needs and workflow.
The DxO PhotoLab Interface
This came in the form of DxO PhotoLab, which combined the tech of DxO’s prior software endeavors plus the U Point technology from Nik. DxO has long been one of the most dynamic makers of photo editing software, as well as a test lab for all major new digital cameras. PhotoLab continues DxO’s tradition of automatic lens and camera body-based image correction, unmatched noise reduction, and other innovative image.
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